Showing posts with label humor. Show all posts
Showing posts with label humor. Show all posts

Thursday, July 19, 2012

why murder is funnier than rape

Recently comedian Daniel Tosh was accused of joking about rape. According to a blogger, Tosh started talking about how rape jokes were funny, and the blogger shouted out that rape jokes are never funny. Then Tosh said, "wouldn't it be funny if that girl got raped by like, 5 guys right now?"

The comedy club manager tells the story a little differently, saying someone else brought up rape and that after the blogger yelled out, Tosh said she sounded like been raped by 5 guys. Whether you prefer the story as told by the angry heckler or the manager, who says he didn't hear it all clearly, Tosh seems to have definitely made light of rape.

And the reaction, which included a petition to get Tosh fired, started me wondering: why is it okay to tell jokes about murder, suicide, amputation, blindness and many other terrible things, but not rape?

Usually when people ask that question it is meant as an argument, like, "why are you so mad about my rape joke but didn't say a word about my blinding baby seals joke," but that's not what I mean. I generally find rape jokes discomfiting myself, but I'm okay with a little murder humor.

As I thought about it, I began to think that part of the problem is, when people joke about rape, there is not a clear presumption that the one telling the joke really is that bothered by rape.

Everyone agrees murder is bad, except for psychopaths. No one wants to be murdered, and while people might say, "I could kill that guy," most people in reality would find killing someone a deeply unsettling act. So when someone tells a joke about murder, there is an unspoken preamble that goes something like, "murder is a really terrible thing. It's horrible to even contemplate it, but because often humor can work like a steam valve, relieving pressure, and because this not wanting to be murdered thing is something we all share, I'm going to tell a joke about killing someone."

Sadly, there cannot be that presumption about rape, because rape is not something everyone has a problem with. The idea that women are "asking" to be raped is so common that every once in a while some judge horrifies the world by saying it from the bench. In an Amnesty International poll in 2005, a frightening number of people felt that women who flirted, wore sexy clothes, or got drunk were at least partially responsible for their own rapes.

In a way, I think it's similar to the reason white people aren't supposed to use the "N" word. The problem is, there are still bunches of white people who use the "N" word in its very worst connotation, and as long as that is true, how can you ever be sure that the intent behind the word is benign when spoken by someone white?

I don't believe any topic is off limits for comedy. Sarah Silverman can get away with telling a rape joke, because we all know it's not something she's actually in favor of. Louis C.K.and a few others have also managed it. Much of the Tosh controversy may well be that he always comes across as an ass (this is based on watching his TV show for five minutes; I really can't tolerate the guy). As some blogger said, Tosh just looks like a guy who has some roofies in his pocket. He may be a really nice guy, he may think rape is a terrible, terrible thing, but if so, his persona does not convey that well. A guy like him should probably just stick to something safe, like jokes about killing people.

Sunday, February 04, 2007

Why Christopher Hitchens isn't a competent writer

In writing, it is a good idea, particularly if you are going to suggest something bound to be controversial, to start with a compelling example of what you are talking about. It's something comics are very good at. They will begin with something simple, say, "do you ever eat sausage and bite into something realy hard?" and everyone who's not a vegetarian will nod and the comedian has made a connection and can then go on to suggest anything he likes, having won the audience to his side.

This wouldn't work if the comedian says something that no one can relate to, like, "have you ever put your hand on a glass window and it felt like it was made out of tapioca?" Then the audience would just think the comedian was crazy.

In his article in Vanity Fair, Why Women Aren't Funny, Christopher Hitchens effortlessly separates himself from all normal people in the first paragraph with a "glass feels like tapioca kind of statement." He says that while women, when talking about a guy, will mention how funny he is, but men, when talking about a girlfriend, will never mention how funny she is.

Huh? I always tell people that my girlfriend Debbie has a quick, somewhat caustic wit, and that my ex-wife Jessica told hilarious stories. I've known other guys who talked about how funny their girlfriends were. In fact, I avoid humorless women, and that is easy to do, because the world is filled with witty females.

So what Hitchens has done is to paint a picture of his friends. They are, one imagines, dense guys who think of themselves as macho and consider women to be pretty ornaments. They probably tend to date frivolous women half their age and are scared of any woman who is intelligent and witty and clever. Hitchens indicates very clearly in one paragraph that he has surrounded himself with men just as out of touch with the real world as he is, and basically seems to be going out of his way to say, "don't bother reading the rest of this, anything I have to say is completely irrelevant."

I only read the first of the three pages. Further down he admits there are funny women comedians (obviously none of his friends date them), but then insists that Dorothy Parker isn't all that funny, which suggests that he has never read any of her brilliant, hilarious theater reviews (seriously, don't knock Parker if all you know her for is "men never make passes at girls who wear glasses").

Also, as pointed out by Gene Weingarten in the Washington Post, Hitchens wants his article to be amusing but he fails abysmally.

Of course, the advantage of putting a controversial article in a major magazine like Vanity Fair is it stirs people up. But I think Vanity Fair's editor made a major blunder, because I, for one, can't take a magazine seriously that would publish such drivel. Vanity Fair has gone from being a magazine I am neutral towards and uninformed about to a magazine I consider a joke. It's the sort of crap article that got me years ago to stop reading the New York Press (which would have articles on things like why female circumcision is a fine thing and we should quit criticizing its practice).

Anyway, I wouldn't bother reading the Hitchens piece, but Weingarten's piece is quite amusing (he got a bunch of funny women to write it for him.)






Sunday, January 21, 2007

webstalking that guy who pissed you off thirty years ago

UPDATE: Turns out the site was a hoax created be Weiner himself. Silly me.

When I first started reading the National Lampoon in the mid or late 70s, my favorite writer there was Ellis Weiner. It wasn't because he was the funniest writer; he was one of the funniest writers, but they were all pretty funny.

No, I liked Ellis because he was the only writer who had a real sense for people. I think the first thing I read from him was the Shear Hype Report, a take off of the Shere Hite Report, a book in which a woman simply asked hundreds of women about sex and printed what they said. Just as in the original book, there's a lot of talk about how women wish guys would cuddle more and be nicer, but at the end of the Shear Hype Report, the author admits that she just made up all the answers to get her boyfriend to cuddle with her. And even though this is only a paragraph or two, you actually feel for the author; it's just kind of sad.

Weiner's characters seemed to actually have feelings, unlike other writers like P.J. O'Rourke, who was brilliantly funny but whose articles were always just rather callous jokes strung together. It is interesting to note that P.J. O'Rourke, who as a writer had no sense of humanity, later became a right-wing writer, whereas Ellis, who always seemed to have real feeling for people, now blogs for the liberal Huffington Post.

I didn't actually know this until yesterday, when Weiner popped into my head and I wondered what he'd been doing. I haven't read anything by him since his novelization of Howard the Duck, a book every bit as funny as Douglas Adam's Hitchhiker's Guide to the Galaxy that had the misfortune to be based on a movie that is considered one of the all-time film turkeys.

Turns out he's been busy, writing books and articles, and I should probably track down one of his books and read it. But what really got my attention in my search was The Unofficial Website of Ellis Weiner (UPDATE: at some point after I wrote this Weiner apparently got control of the site), because it is run by someone who seems to have a sick hatred and fascination for the guy.

The webmaster is an assistant professor at some college I've never heard of, but from the F.A.Q. and the bio of Ellis it seems that at one point he was an aspiring satirist who had some sort of dealings with Weiner, who was a submissions editor at the National Lampoon.

And so he has created a website, that on the front has a note from Weiner saying that his lawyers tell him he can't do anything about the site but that he isn't happy with it. He lists some of Weiner's books, which he puts down and in at least one case chops up reviews to make them sound more negative (i.e. “Breezy, often funny…there’s some…writing…”).

The question is, does the professor realize how nuts this is. He's going after a guy who I guess (there are no specifics on the site) rejected his stuff or criticized it too much 30 years ago. The site might as well be called, "I am a bitter, possibly insane guy convinced that a single editor somehow managed to destroy my writing career." I mean come on, even if Weiner was, as suggested by the professor, a mean bastard, he was just one guy at one magazine. No editor owes a writer a boost up, you're actually supposed to go after what you want and prove yourself.

You'd think the guy would at least try and prove that he's funny; you know, mock Weiner in a clever way that proves to everyone that yes, this guy would have made a great satirist and it's a shame he was struck down by Weiner's cruelty. But nope, there's no indication this guy is funny.

It all reminds me of a biography of David Bowie I read once by some guy with a peripheral connection to the singer who clearly hated him with a passion and spent the whole book trashing him. It just makes you look pathetic to attack and whine about people who have accomplished much more in life than you have.

Still, I love seeing people nakedly and unconsciously expose themselves, so I wanted to share the site with others who would appreciate its pathetic nature. And make sure to read Howard the Duck and Weiner's Dune parody Doon. Hilarious stuff.